Monday, August 25, 2008

RAPID - informal play reading, 8/26

SOSE is presenting an informal reading of a project we are considering for 2009.  If you would like to come hear the play and share your feedback, the reading is at our theater at 8pm, Tuesday 8/26.  Free admission.  Just come, listen and respond.
 
8:00pm-10:00pm
 
Son of Semele Ensemble
3301 Beverly Boulevard
Los Angeles, CA 90004
 
Director:  Matthew McCray
Cast:  Donald Boughton, Sarah Boughton and Daniel Boughton
 
 
 
 
 

Monday, August 18, 2008

Fall Partnership Production Application

SOSE is accepting applications for a front-of-week guest production slot at their 40-seat theater in Silver Lake. We are open to proposals for box office split arrangements, or discounted rentals, or any combination. Our production is going up Fri-Sun. The guest-production would perform Tues-Thurs, opposite our weekend production.

To propose a project, answer the questions below and submit them with the required documentation to Matt at matthew@sonofsemele.org. Deadline is September 1.

Projects must open October 28 or later, and can run 2-6 weeks.

If you have questions, contact Matt at matthew@sonofsemele.org.


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FALL PARTNERSHIP PRODUCTION APPLICATION

Son of Semele Ensemble (SOSE) is an ensemble company of 20+ artists that produce theater addressing emerging cultural questions. Our fall production of Will Eno's "Tragedy: A Tragedy" will run Friday-Sunday, October 24 - November 23, with the possibility of extending into December. Our set will be spare, lending itself to hosting another production on Tues-Thursday. The accepted project would working on our set and lighting plot. Our theater has central A/C and is a very intimate venue seating 40 people. The dressing room is 12' x 12' and the stage is 18'x 18' (sprung wood).

If you have a project that you'd like to propose for this partnership, please answer the questions below:

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CONTACT
Name:
Company/Organization Name:
Project Name:
Phone:
Email:

DETAILS
1) Dates/Times of Proposed Performances:
2) Cast size:
3) Aside from general lighting/sound, what are the technical requirements of the project:
4) What kind of financial arrangement are you proposing? We are open to a variety of arrangements including splitting box office revenue, a discounted production rental and anything in between. Tell us what you have in mind. We are most interested in arrangemetns that are mututally beneficial and that serve the proposed project.
5) Is there anything else we should know:

ATTACHMENTS
A) 1 page organizational background or your background if you are an independent producer
B) 1 page project description (artists, style, cast size, plot if there is one, etc.)